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Television and Media Violence – TV Violence and Common Sense

Television Violence and Common Sense

It is obvious that children are affected by television. They often pretend to be their favorite character, reenact scenes from movies, and wear clothes featuring their media heroes. As a child, I pretended to be one of the Teenage Mutant Ninja Turtles while practicing my fighting skills on invisible bad guys.

Although these things are usually a healthy part of growing up, it would be foolish to assume that children are not affected in a negative way by all of the violence that appears on television. American children watch television on an average of twenty-seven hours per week and possibly up to eleven hours a day in larger cities. The American Psychological Association estimates that an average child will witness 8,000 murders and 100,000 acts of violence while in elementary school (“TV Violence” 1).

The numbers ar…

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…ommon sense conclusion that there is some link between aggressive behavior among children and the violence that they see on television.

Works Cited

Levine, Madeline. “Media Violence Harms Children.” Media Violence. Opposing Viewpoints. Ed. William Dudley. San Diego: Greenhaven Press, 1999. 28-36.

“TV Violence.” The CQ Researcher. March 26, 1993: 1-8. Online. Available at http://libraryip.cq.com.

Analysis of Achebe’s Impartiality in Chinua Achebe’s Things Fall Apart

Achebe’s Impartiality In Things Fall Apart

Knowledge of Africa and the inhabitants of the massive continent were often portrayed as barbaric beasts by the first missionaries to enter the land. Because of skewed writings by European missionary workers, a picture was painted for their readership of a savage Africa saved only by the benevolent, civilized western influence. Achebe successfully attempts to redirect this attitude. Achebe educationally has the means to convey a different perspective, an advantage most other individuals of his culture lack. In his novel Things Fall Apart, rather than glorifying the Ibo culture, or even offering a new view, Achebe acts as a pipeline for information to flow freely without partiality. Achebe’s parents were among the first converts of the Igbo, which has exposed him to both the Igbo African culture and western Christian ideology, and can therefore explicate his meaning and experiences from both sides. Achebe is, without doubt, an African novelist, not a novelist writing about Africa; he seems neither to condemn the missionary system, nor condone it. I plan to prove that Achebe portrays the missionary with the same objectivity as he does the Ibo culture in Things Fall Apart.

Albert Chinualumogu Achebe was born in Nigeria, but not into a traditional Nigerian home. His mother and father were both converts and “devout Christians” (1). In an interview appearing in The Paris Review at the Unterberg Poetry Center, Achebe says, “they were not just converts; my father was an evangelist, a religious teacher. He and my mother traveled for thirty-five years to different parts of Igboland, retired, and returned with his family to his ancestral village” (interview…

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…her culture as superior, but a symbolic unraveling of historical events. It is the collision of these two social and religious structures that creates the poignant drama in which these people find themselves, not the particular structure itself. During an interview Achebe remembers when he began to read about adventures and wasn’t sure what side he was supposed to be on. He says, “I instinctively took sides with the white people. They were fine! They were excellent. They were intelligent. The others were not…they were stupid and ugly. That was the way I was introduced to the danger of not having your own stories” (2).

Works Cited

(1) //infoco.net/hasbinz/fiction/general_fiction/achebe_/index.htm

(2)(interview) parisreview.com/pages/issues/chinua3.html

(3)Achebe, C. Things Fall Apart. Great Britain. 1958.

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