In Joseph Conrad’s book Heart of Darkness the Europeans are cut off from civilization, overtaken by greed, exploitation, and material interests from his own kind. Conrad develops themes of personal power, individual responsibility, and social justice. His book has all the trappings of the conventional adventure tale – mystery, exotic setting, escape, suspense, unexpected attack. The book is a record of things seen and done by Conrad while in the Belgian Congo. Conrad uses Marlow, the main character in the book, as a narrator so he himself can enter the story and tell it out of his own philosophical mind. Conrad’s voyages to the Atlantic and Pacific, and the coasts of Seas of the East brought contrasts of novelty and exotic discovery. By the time Conrad took his harrowing journey into the Congo in 1890, reality had become unconditional. The African venture figured as his descent into hell. He returned ravaged by the illness and mental disruption which undermined his health for the remaining years of his life. Marlow’s journey into the Congo, like Conrad’s journey, was also meaningful. Marlow experienced the violent threat of nature, the insensibility of reality, and the moral darkness.
We have noticed that important motives in Heart of Darkness connect the white men with the Africans. Conrad knew that the white men who come to Africa professing to bring progress and light to “darkest Africa” have themselves been deprived of the sanctions of their European social orders; they also have been alienated from the old tribal ways.
“Thrown upon their own inner spiritual resources they may be utterly damned by their greed, their sloth, and their hypocrisy into moral insignificance, as were the pilgrims, or they may be so corrupt by their absolute power over the Africans that some Marlow will need to lay their memory among the ‘dead Cats of Civilization.'” (Conrad 105.) The supposed purpose of the Europeans traveling into Africa was to civilize the natives. Instead they colonized on the native’s land and corrupted the natives.
“Africans bound with thongs that contracted in the rain and cut to the bone, had their swollen hands beaten with rifle butts until they fell off. Chained slaves were forced to drink the white man’s defecation, hands and feet were chopped off for their rings, men were lined up behind each other and shot with one cartridge , wounded prisoners were eaten by maggots till they die and were then thrown to starving dogs or devoured by cannibal tribes.
Prejudice and Racism in Conrad’s Heart of Darkness
Racism in Heart of Darkness
Joseph Conrad develops themes of personal power, individual responsibility, and social justice in his book Heart of Darkness. His book contains all the trappings of the conventional adventure tale: mystery, exotic setting, escape, suspense, and unexpected attack. Chinua Achebe concluded, “Conrad, on the other hand, is undoubtedly one of the great stylists of modern fiction and a good story-teller into the bargain” (Achebe 252). Yet, despite Conrad’s great story telling, he has also been viewed as a racist by some of his critics. Achebe, Singh, and Sarvan, although their criticisms differ, are a few to name.
Normally, readers are good at detecting racism in a book. Achebe acknowledges Conrad camouflaged racism remarks, saying, “… Conrad chose his subject well – one which was guaranteed not to put him in conflict with psychological pre-disposition…” (Achebe, 253). ***CAN YOU TELL US SPECIFICALLY WHAT THIS MEANS? THE READER DOES NOT KNOW WHAT PSYCHOLOGICAL PRE-DISPOSITION IS***
Having gone back and rereading Heart of Darkness, this time reading between the lines, I discovered some racism Conrad felt toward the natives that I had not discovered the first time I read the book. Racism is portrayed in Conrad’s book, but one must acknowledge that in the eighteen hundreds society conformed to it. Conrad probably would have been criticized as being soft hearted rather than a racist in his time. Conrad constantly referred to the natives, in his book, as black savages, niggers, brutes, and “them”, displaying ignorance toward the African history and racism towards the African people. Conrad wrote, ” Black figures strolled out listlessly… the beaten nigger groaned somewhere” (Conrad 28). “They passed me with six inches, without a glance, with the complete, deathlike indifference of unhappy savages” (Conrad 19). Achebe also detected Conrad’s frequent use of unorthodox name calling, “Certainly Conrad had a problem with niggers. His inordinate love of that word itself should be of interest to psychoanalysts” (Achebe 258).
Conrad uses Marlow, the main character in the book, as a narrator so he himself can enter the story and tell it through his own philosophical mind. Conrad used “double speak” throughout his book. Upon arriving at the first station, Marlow commented what he observed. “They were dying slowly – it was very clear. They were not enemies, they were not criminals, they were nothing earthly now, nothing but black shadows of disease and starvation lying confusedly in the greenish gloom” (Conrad 20).