A more thorough investigation of The Great Gatsby is necessary to uncover a well-disguised theme by Fitzgerald in this work. Upon a simple read through one would probably not notice the great similarities of Jay Gatsby and Myrtle Wilson, but the two characters seemed to have the same agenda for their lives. While Gatsby took the route of acquiring money at all costs to join the upper class of society and to be acceptable in the eyes of a woman, Myrtle chose to make her way up in society at the cost of her marriage by attaching herself to money. The underlying question is who had the most success.
As a young man, Jay Gatsby was poor with nothing but his love for Daisy. He had attempted to woe her, but a stronger attraction to money led her to marry another man. This did not stop Gatsby’s goal of winning this woman for himself though, and he decided to improve his life anyway he could until he could measure up to Daisy’s standards. He eventually gained connections in what would seem to be the wrong places, but these gave him the opportunity he needed to “get rich quick.” Gatsby’s enormous desire for Daisy controlled his life to the point that he did not even question the immorality of the dealings that he involved himself in to acquire wealth. Eventually though, he was able to afford a “castle” in a location where he could pursue Daisy effectively. His life ambition had successfully moved him to the top of the “new money” class of society, but he lacked the education of how to promote his wealth properly. Despite the way that Gatsby flaunted his money, he did catch Daisy’s attention. A chaotic affair followed for a while until Daisy was overcome by pressures from Gatsby to leave her husband and by the realization that she belonged to “old money” and a more proper society.
Myrtle eventually had similar goals as Gatsby, but her life did not begin the same way. She was of the lower class of society and married a simple man. The two pursued a poor life, but Myrtle’s husband George was a decent man. Nevertheless, Myrtle became unsatisfied, and when the opportunity arose to better the quality of her life, she took it. Daisy’s husband Tom, an unfaithful, rough man not very committed to his marriage, began an affair with Myrtle.
Gender Stereotypes in Henrik Ibsen’s A Doll’s House and Susan Glaspell’s Trifles
Gender Stereotypes in Henrik Ibsen’s A Doll’s House and Susan Glaspell’s Trifles
In the plays A Doll’s House, by Henrik Ibsen, and Trifles, by Susan Glaspell, the male characters propagate stereotypes and make assumptions concerning the female characters. These assumptions deal with the way in which the male characters see the female characters, on a purely stereotypical, gender-related level. The stereotypes and assumptions made in A Doll’s House are manifest in the way Torvald Helmer treats his wife, Nora, and in the way Nora acts to please her husband. These include the beliefs that women are lesser people, childlike in their actions and in need of being controlled. Nora knows as long as she acts in accordance with the way she is expected, she will get what she wants from Torvald. The stereotypes and assumptions made in Trifles are those of the women being concerned only with trifling things, that they are loyal to the feminine gender, and that women are subservient to their spouses.
Torvald Helmer is the stereotypical Nineteenth-century husband, as he is a controlling, condescending patriarch. By referring to his wife with diminutive names, Torvald propagates the “women are lesser that men” stereotype and keeps his wife in a position of subservience. In line 11 of the first act, we come across the first instance of Torvald’s bird references to Nora with “Is that my little lark twittering out there?” This reference is the first of many in which Torvald refers to Nora as a lark. Often this referencing is preceded by diminutive terms such as “little” and “sweet, little.” Torvald also refers to Nora as a squirrel, a spendthrift, a songbird, and a goose, these terms also preceded with a diminutive. The significance of th…
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