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Comparing Poe and Whittman

Comparing Poe and Whittman

A successful writer is he who is able to transmit ideas, emotions, and wisdom on to his readers. He is cable of stirring emotions and capturing the reader’s attention with vivid descriptions and clever dialogues. The writer can even play with the meanings of words and fuse reality with fiction to achieve his goal of taking the reader on a wonderful journey. His tools are but words, yet the art of writing is found in the use of the language to create though-provoking pieces that defy the changing times. Between the lines, voices and images emerge. Not everyone can write effectively and invoke these voices. It is those few who can create certain psychological effects on the reader who can seize him (or her) with inspiring teachings, frightening thoughts, and playful games with the language. These people are true writers…

In addition, authors frequently lack originality and simply take the reader on all-too-familiar voyages into politics, morals, or religion. Successful writers are those who risk and go on to write about topics that many times others have been less willing to address. The product of these extraordinary efforts is compositions richly enhanced by human feelings and real problems that we encounter and relate to our everyday lives…thought-provoking discussions about religion, philosophy, or politics. These pioneering authors are not afraid to write about evil, the perverse aspects of man, or even sexuality… Their true voices have risen from behind the words taking shape in the minds of the readers. Few have done this, but in the 19th Century two remarkable Americans produced compositions of unequal quality. Their styles and the way they approach the reader are different from t…

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… something (AL 2139)

Could it be that their originality sprouts from the fact that they have both been able to express so humanly the cries of the soul while at the same time leaving mysteries and ambiguity for the readers’ minds to personalize to their own life experiences? Their distinct styles enabled them to expresses exactly what was on their minds with words, leaving behind all inhibitions. The themes of their compositions and the moral issues captured our attention. I think the reader was able to “feel” he was truly experiencing the story simply because so much was left as a mystery for our unconscious to reflect upon… I am convinced that this is the key element that makes both Whitman and Poe successful writers.

Works Cited

Reidhead J. ed. (1998, Fifth Edition) The Norton Anthology of American Literature Volume 1: Norton

The Importance of Symbolism in The Glass Menagerie

The Importance of Symbolism in The Glass Menagerie

Tom Wingfield is the narrator and a major character in Tennessee William’s timeless play, The Glass Menagerie. Through the eyes of Tom, the viewer gets a glance into the life of his family in the pre-war depression era; his mother, a Southern belle desperately clinging to the past; his sister, a woman too fragile to function in society; and himself, a struggling, young poet working at a warehouse to pay the bills. Williams has managed to create a momentous play using a combination of different elements, including symbolism. Three noteworthy examples of symbolism are the fire escape, a sense of hope and an escape both to the outside world and from it; the glass menagerie itself, a symbol for Laura’s fragility and uniqueness; and rainbows, symbols of unrealized hopes and aspirations. Through the use of these symbols, a greater understanding of the humanistic theme that unfulfilled hopes and desires are an unwanted, but important aspect of the real world is achieved, and The Glass Menagerie is crafted into a meaningful classic drama.

Symbols are a major part of this play that Tom, who is a poet, admits he has a weakness for. One of the first to be presented in the story is the fire escape that …

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…Masterplots, ed. Frank M. Magill. Revised Second Ed. Vol. 5. Pasadena: Salem Press, 1996.

Bigsby, C. W. E. “Entering the Glass Menagerie.” The Cambridge Companion to Tennessee Williams, ed. Matthew C. Roudane. Cambridge: Cambridge University Press, 1997.

Scheye, Thomas E. “The Glass Menagerie: ‘It’s not tragedy, Freckles.’.” Tennessee Williams: A Tribute, ed. Jac Tharpe. Jackson: University Press of Mississippi, 1977.

Williams, Tennessee. Conversations with Tennessee Williams, ed. Albert Devlin. Jackson: University Press of Mississippi, 1986.

Williams, Tennessee. The Glass Menagerie. New York: New Directions Publishing, 1945.

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