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Comparing Do not go gentle into that Good Night And Elegy for My Father, Who Is Not Dead. comparison compare contrast essays

Trying to understand a poem when first reading it is very difficult. One must read the poem several times to understand the author’s point. It is important to concentrate on grammatical structures and rhyme schemes. This essay will compare the work of Dylan Thomas’ “Do not go gentle into that good night” to the work of Andrew Hudgins’ “Elegy for My Father, Who Is Not Dead.” Both works concentrate on their fathers, as they become closer to death. The authors of the respective poems have different views behind the word “death.” Within the poem “Do not go gentle into that good night”, Thomas speaks on how one should value life. He feels as though life is something special and should not be taken for granted. Moreover, he believes that one should keep their head up and believe that there will be a brighter day tomorrow. The refrains: “Rage, rage against the dying of the light” and “Do not go gentle into that good night” symbolize the thought. On the other hand, Hudgins views death as something that is very special, a stepping stone in life. He feels that death is a continuation of life, instead of the end of life. Lines 3-5 of “Elegy for My Father, Who Is Not Dead” says, “In the sureness of his faith, he talks about the world beyond this world as though his reservations have been made” supports the theory. In addition, the tones of the poems are comparable. Each poem reveals a lonely and sorrowful tone. In “Elegy for My Father, Who Is Not Dead”, line 14 says, He’s ready. I am not. I can’t just say good-bye as cheerfully as if he were embarking on a trip” reveals that the passing of his father is something that he is not ready to handle. He knows that the passing of his father’s will bring sadness, loneliness, and a sense of emptiness to his hearts. Likewise, Thomas would feel the same way is his father was to pass away. Finally, the poems have contrasting themes; Thomas feels death as a horrible experience, while Hudgins sees death as a joyous experience. For example, the poem “Elegy for My Father, Who Is Not Dead” views death as a cruise to a place that is promised to be joyous. Also, it indicates that the son would eventually repeat the journey of death the father took. On the other hand, line 4 of “Do not go gentle into that good night says, “Though wise men at their end know dark is right..”. Thomas sees death as something dreary and dark. The author does not see death as a mark in life, but rather the end of life in all aspects; mentally, physically, and spiritually. Thomas believes that death is like being blind, and not knowing what is going on. In conclusion, both poems express different views of death. Thomas feels that death as something that is dreary, while Hudgins views death as a joyous occasion that is just a stepping stone of life. Each poem reveals that the sons are not ready for their father’s death. The authors feel that their fathers should try everything to avoid death. Also, the authors not that their life’s would not be the same without their fathers beside them. Death is a word that can be interpreted in many different ways

Inevitability of Death Revealed in Do Not Go Gentle into That Good Night Do Not Go Gentle into That Good Night

In Thomas “Do Not Go Gentle into That Good Night,” he depicts the inevitability of death through repetition and diction. Furthermore, he portrays the stages of mans life in his comparison to “good men, “wild men,” and grave men.” Finally, Thomas medium of poetic expression presents itself in the villanelle. The villanelles persona speaks in this poem as the son of a dying father. Line sixteen states “And you, my father,” and this proves the speakers persona. The old man, at his deathbed, receives encouragement with pleads from his son to hold on to life. In the last stanza, the son as well as the father accepts death as merely a part of living. Furthermore, the repetitious last lines serve to strengthen the speakers thoughts. In the first, third, and fifth stanzas, the last lines match each other; in the second and fourth stanzas, the final lines match. The final stanza combines the last lines from the odd and even-numbered stanzas for an additional line. This portrays the ongoing war between life and death. The old man went back and forth between life and death as the stanzas last lines switched back and forth. In the end, the two last lines join together as the old man and his son accept that death is a part of life. Next, the references to “good men,” “wild men,” and “grave men” display the three basic stages of life: birth, life, and death. In stanza three, the stanza pertaining to “good men,” the portion “the last wave by” depicts the old mans generation as fewer and fewer still live. The color symbolism of the “green bay” lets us know that the speaker refers to the young and new generation of yesterday. Stanza fours reference to “wild men” concerns the living part of life. It reveals the fact that men often learn too late to change their actions. The fifth stanza depicts the dying part of life in which the senses deteriorate. How the speaker depicts that “Blind eyes could blaze like meteors and be gay” refers to the bright light many often reported seeing in near-death experiences. The blind may once again see this sign that death knocks on ones door. In the line “Do not go gentle into that good night,” the speaker refers to the night as good. Night replaces death in a metaphoric manner. The reference to that “good night” displays how good death may appear and how easily one attains it. This shows the reason the speaker persists for his father to hold on to life and not “go gentle into that good night.” Likewise, to “rage against the dying of the light” as the speaker pleads shows a similar appeal by the son. The dying of the light refers to life as a light that shines to prove existence. If the light dies, then the life has ceased to exist. This poem, in villanelle form, artfully implies the universal theme of deaths inevitability. The sons pleads to his father and the fathers pleads with death show conflicts that may arise in one at his deathbed. This man, the grave man, finishes the remainder of his life. From the stages of his life, he finally reaches this one. The poem ends ambiguously hinting the acceptance of death by the father and the son.

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