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An Analysis of Judith Wright’s Woman To Man

An Analysis of Woman To Man

The form of this text is a poem. The visual appearance of the text on the page indicates to us that it is a poem: it is positioned in the center of the page and it is made up of uniform sections, or stanzas. The form is more constrained than that of a novel, which runs freely across the page from left to right. The text also utilizes formal poetic features, such as: multiple stanzas containing equal numbers of lines; line breaks between stanzas; and a regular number of beats per line. The knowledge that Judith Wright is a well-known poet adds to the evidence that this is a poem.

This text has more than one intended audience. The primary audience is Judith Wright’s husband. It is a well-known fact (in literary circles) that Wright addressed this poem to her husband when she was pregnant with one of their children. The intimate nature of this exchange between Wright and her husband is evident in her use of personal pronouns: “…you and I have known it well”; “…your arm…”; “…my breast…”. The second intended audience is every woman and every man, as an expression of something from every woman to every man. The title Woman To Man makes the poem universal, more than just a poem from Judith Wright to her husband. There are no names given to the woman and the man within the world of the poem. The experience of ‘the Woman’ becomes the experience of ‘every woman’. The third audience for this text is the literati – the world of literature. Judith Wright is a well-known Australian poet; this poem has been published many times; this poem obviously did not stay between Wright and her husband. The poem displays the poet’s highly technical and sophisticated control over language: this skill has been analyse…

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The tone of “Woman To Man” is serious and moves from contentment to fear. To begin with, Wright calmly pours her emotions onto the page. She contemplates her unborn child, joyfully sharing her experience with her husband: “…yet you and I have known it well…”. Her joy is shown in the beautiful images she uses to describe her child: “…the intricate and folded rose…”. It is only in the final stanza that her joy and contentment turn to fear. She begins to imagine the intense pain of labour and she becomes frightened: “…the blaze of light along the blade / O hold me for I am afraid.” The conclusion of the poem is dramatically appropriate. The shift in tone from peaceful contentment to fear is only natural, as the Woman (the poet) moves from the state of pregnancy, which she has known for nine months, into the early stages of labour, which frightens her.

The Feminist Struggle Portrayed in Brief History Of The Horse

The Feminist Struggle Portrayed in Brief History Of The Horse

Lorna Crozier’s poem, “A Brief History Of The Horse”, offers many different interpretations. However, the structure of the poem breaks down into three stages: past, present, and future. By examining the archetypes within the poem, it can be suggested that the horse stands to represent the feminist struggle, the ongoing battle for women to have an equal place in society.

In explicating “A Brief History Of The Horse,” it is of primary importance to examine the logopoeia (thought level) of the poem. The archetype of the horse suggests the poem’s feminist aspect. To elucidate, the horse, as a Jungian archetype, represents motherhood and the magic side of man. What Jung refers to as the “`mother withing all of us,’ or intuitiveness, and lies in the subconscious”(Cirlot, 151). In Crozier’s poem, reference to the subconscious is quite apparent in the first stanza or stage; the horse grazes in “pastures of sleep.” A grazing horse is also symbolic of freedom and peace (Oderr, 69); however, this freedom can only be obtained in sleep. The mother figure is also represented by the fact that the soldiers are within the horse. They are in the belly of the horse: “the soldiers feel the sway of the horse’s belly as she races night across the meadows”(260). This implies the notion of a fetus in a womb. However, the men (soldiers) are not aware of the outside world of the horse, believing that they are in “a hold of a ship that smells of grass and forgetfulness”(260). Thus, the notion that the horse is grazing in a pasture of green grass (peace), yet the men(soldiers) are unable to see the truth. They are unaware of what problems the horse is actually faced with. The soldier…

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…ermore, regardless of how much the horse is repressed it will eventually do what it wants to do. It doesn’t matter what label is placed on the feminist struggle, it is inevitable that women will have a place equal in society to men. The horse will eventually graze “calmly in the meadow”, and there will be a time when men and women are equal.

In conclusion, the poem moves from the basic history or repression of the horse to the future outlook. The horse stands as an archetype for the mother, the feminist struggle. Therefore, the poem becomes a history of the feminist struggle, from being born of ancient times, through the ignorance of current times and eventually it will come to rest. Without a doubt, women will eventually have an equal place in society. The poet is quite adamant that females will become equal to men. The feminist movement cannot be suppressed.

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