Lady Chatterley’s Lover by D. H. Lawrence examines the human condition in the modern era. Through the experiences of the novel’s characters, Lady Chatterley’s Lover advances techniques for coping with the modern world: retreating from society and engaging in phallic sex. However, the application of these techniques is problematic as phallic sex necessitates the abandonment of social convention, while retreating from society conflicts with phallic sex.
Lawrence’s tactics of retreating from society and engaging in phallic sex are a response to conditions that he perceived in England. A problem that afflicts the English people in Lawrence’s novel is the pressure of social convention causing individuals to lead unhappy lives. For example, Lawrence examines the lives of colliers: “The iron and the coal had eaten deep into the bodies and souls of the men” (159). Iron and coal are also a reference to the capitalist-industrialist complex that drives the colliery, making it clear that it is capitalist values which are eating away at the men. The village of Tevershall reflects the state of its builders: “The utter negation of natural beauty, the utter negation of the gladness of life, the utter absence of the instinct for shapely beauty which every bird and beast has, the utter death of the human intuitive faculty was appalling” (152). Both the people and their dwellings have been warped by modernity. The narrator sums up the consequences of modern society for the colliers and the English people: “…a new race of mankind, over-conscious in the money and social and political side, on the spontaneous intuitive side dead, but dead. Half-corpses, all of t…
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…f phallic sex.
Two strategies that D. H. Lawrence’s novel Lady Chatterley’s Lover offers for coping with the modern world are phallic sex and a retreat from society. Unfortunately, the ideal of phallic sex is difficult to achieve due to the necessity of abandoning social convention, while retreating from society conflicts with having phallic sex. Lawrence’s ideas offer unconventional methods for coping with modern life. However, a reader who wishes to apply these ideas must bear in mind that no amount of sex or isolation is likely to resolve the problems which plague modern society.
Works Cited
Lawrence, D. H.. Lady Chatterley’s Lover. Ed. Michael Squires. New York: Penguin Books, 1994.
Lawrence, D. H.. “A Propos of ‘Lady Chatterley’s Lover'”. Lady Chatterley’s Lover. Ed. Michael Squires. New York: Penguin Books, 1994.
The Malignant American in Surfacing
The Malignant American in Surfacing
Before traveling through Europe last summer, friends advised me to avoid being identified as an American. Throughout Europe, the term American connotes arrogance and insensitivity to local culture. In line with the foregoing stereotype, the unnamed narrator’s use of the term American in Margaret Atwood’s Surfacing is used to describe individuals of any nationality who are unempathetic and thus destructive. The narrator, however, uses the word in the context of her guilt over her abortion and consequent emotional numbness. The narrator’s vituperative definition of American as an individual who is unempathetic and destructive is largely attributable to the narrator’s projection of her own feelings of emotional dysfunction and guilt.
Consider an individual who is incapable of empathy. Such a person has the potential to be enormously destructive to their surroundings. Without the ability to identify with others, it becomes a matter of indifference whether others experience pain or joy. The narrator rapidly begins to define an American as just such a psychopath. As the narrator is fishing in a canoe, two Americans and a local guide pull up in their power boat proudly flying the Stars and Stripes fore and aft, rocking the canoe. During the conversation in which one of the Americans is “friendly as a shark”, the other American throws his cigar in the water and threatens to take his business elsewhere (66). Of the Americans, the narrator comments, “if they don’t get anything in fifteen minutes they’ll blast off and scream around the lake in their souped-up boat, deafening the fish. They’re the kind that catch more than they can eat and they’d do it with dynamite if they c…
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…st people I spoke to were cognisant of how dangerous it is to blindly apply stereotypes and labels. In Margaret Atwood’s Surfacing, the narrator freely applies the label American to those who are incapable of empathy and destructive. Her use of the label, however, is to a large extent an expression of the emotional numbness and guilt she feels as a consequence of her abortion. At the end of the novel, there is hope that the narrator may succeed in reuniting her head and body by reconciling with the events and emotions haunting her past. Perhaps as the narrator heals herself, her conception of the term American will undergo its own healing process, allowing the word to shed the qualities of insensitivity and destructiveness which were in fact always the narrator’s own.
Works Cited
Atwood, Margaret. Surfacing. Toronto: McClelland